Henry Vestine - I Used To Be Mad! 2002

Guitarist Henry Vestine gained notoriety through his on-again, off-again tenure with boogie rockersCanned Heat. Recorded after a 1981 tour of Australia and New Zealand, Vestine and members ofCanned Heat entered a studio in New Zealand to record this affair. But the tapes were shelved for two decades. Yet at the behest of Canned Heat vocalist James Thornbury and a South African fan, this 2002 production marks Vestine's first solo recording. And while the hard-living artist passed away in 1997, these tracks duly intimate his ballsy chops and firmly implanted blues roots. The musicians work through soul-drenched rock numbers and a garage band-type rendition of "Johnny B. Goode," amid a straightforward version of the Canned Heat hit "Let's Work Together." However, one of the highlights features Vestine's soloing on the walking blues-type motif titled "Loquisimo," which is a piece that signifies one of the guitarist's several nicknames. Overall, Vestine's gritty and altogether animated line of attack is prominently displayed, although many of these tracks suffer from a lack of distinction. AMG.

listen here

Buy @ Amazon: USA - FR - UK

Henry Vestine - Guitar Ganster 1991

Born in Takoma Park, Maryland, Vestine was the only son of Harry and Lois Vestine. His father was a noted physicist specializing in gravity studies. The Vestine Crater on the Moon had been named posthumously after him. Henry Vestine married twice, first in 1965 and in the mid 1970s to Lisa Lack and with whom he moved to Anderson, South Carolina. In 1980 they had a son, Jesse. In 1983, after they separated, Vestine moved to Oregon.

Vestine's love of music and the blues in particular was fostered at an early age when he accompanied his father on canvasses of black neighborhoods for old recordings . Like his father, Henry became an avid collector, eventually coming to own tens of thousands of recordings of blues, hillbilly, country, and Cajun music. At Henry’s urging, his father also used to take him to blues shows at which he and Henry were often the only white people present. Later Henry was instrumental in the "rediscovery" of Skip James and other Delta musicians.

In the mid-1950s, Henry and his childhood friend from Takoma Park, John Fahey began to learn how to play guitar and sang a mixed bag of pop, hillbilly, and country music, particularly Hank Williams. Soon after the family moved to California, Henry Vestine joined his first junior high band Hial King and the Newports. On his first acid trip with a close musician friend, he went to an East LA tattoo parlor and got the first of what was to be numerous tattoos: the words "Living The Blues". Later, in 1969, that became the title of a double album by Canned Heat. By the time he was seventeen he was a regular on the Los Angeles club circuit. He became a familiar sight at many black clubs, where he often brought musician friends to turn them on to the blues. Henry became friends with Cajun guitarist Jerry McGhee. It was from him that Henry learned the flat pick and 3-fingerstyle that was to become so much a part of Henry’s own style. He was an early fan of Roy Buchanan and his favorite guitar players included T-Bone Walker, Johnny "Guitar" Watson, Sonny Sharrock, Freddie King , and Albert Collins. In Canned Heat he was able to play and record with John Lee Hooker whom he had admired since the late 1950s.

Throughout the early to mid 1960s Henry played in various musical configurations and eventually was hired by Frank Zappa for the original Mothers of Invention in 1965.[3] Vestine was in the Mothers for only a few months and left before they recorded their debut album.

His friend Fahey was to be instrumental in the formation of Canned Heat. He had introduced Al Wilson, whom he knew from Boston, to Henry and Bob and Richard Hite. Wilson, Vestine and the Hite brothers formed a jug band that rehearsed at Don Brown’s Jazz Man record Shop. Bob Hite and Alan Wilson started Canned Heat with Kenny Edwards as a second guitarist, but Henry was asked to join. The first notable appearance of the band was the following year when they played at the Monterey Pop Festival. Shortly after Canned Heat’s first album was released, Henry burst into musical prominence as a guitarist who stretched the idiom of the blues with long solos that moved beyond the conventional genres. He had his own style and a trademark piercing treble guitar sound. Vestine missed playing at the Woodstock Festival in 1969, having quit the band the previous week. In 1995, he explained to an Australian reporter that "[a]t the time, it was just another gig. It was too bad I wasn’t there, but I just couldn’t continue with the band at the time." There had some tension between him and bassist Larry Taylor. When Taylor quit Canned Heat, Vestine returned; their alternating membership in the band was to be repeated a few more times over the years.

While Canned Heat played at Woodstock in August 1969, Henry was invited to New York City for session work with avant-garde jazz great Albert Ayler . That session work resulted in two releases on the Impulse label.

At the same time he developed an intense interest in Harley Davidson motorcycles. He eventually owned eleven of them. Prior to his death he was looking forward to playing at their 75th Anniversary Celebration. Over the years he had also a close relationship with the Hells Angels.

Through the 1970s gradually Canned Heat had become a part time occupation with occasional gigs and recordings sessions. When Vestine's marriage broke up in 1983, he moved to Oregon. There he lived on a farm in rural Blodgett for a year and then in Corvallis, making a living doing odd jobs and playing music at rodeos and taverns in a country band with Mike Rosso, an old friend from southern California who had also moved to Oregon. He also played with Ramblin' Rex.

Terry Robb brought Vestine to Portland and they did some recording together. Henry began playing with the Pete Carnes Blues Band and made his way to Eugene when the band folded in the mid 1980s. He played the regional club scene with a number of blues and blues-rock groups including James T. and The Tough. From that band he was to bring James Thornbury to a reconstituted Canned Heat.

Vestine toured with Canned Heat in Australia and Europe, where the band had a popularity that far surpassed the recognition they got in the United States. When he returned to Eugene he would play with The Vipers, a group of veteran Eugene blues musicians who perform throughout the Northwest. He continued to record including sessions with Oregon bands such as Skip Jones and The Rent Party Band, Terry Robb, and The Vipers. He also recorded the album Guitar Gangster with Evan Johns in Austin.
listen here