Writing at All About Jazz, John Eyles described The Letter as "transcend[ing] genre", and Frith's songs as "melodic ... provid[ing] the group with plenty of scope for embellishment". He said the album "hangs together well", adding that Kihlstedt's violin has "inflections carrying great emotional weight", and Frith's guitar as "fluid [and] interwoven with wordless vocals, to stunning effect" on "Common Sense".
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