Produced and recorded by Seattle’s Johnny Sangster (Mudhoney, Massy Ferguson), there’s a spaghetti northwestern sound to Stardust. Bringing on ace musicians like drummer John Convertino of Calexico and bassist Keith Lowe (Fiona Apple, Bill Frisell), and a diverse array of instrumentalists featuring everything from trumpets to a hammond organ, banjo, even a plucked piano, allowed Sangster to carefully build the sound-scapes around each song. And what songs! Brent’s songs have a heavy weight on their shoulders. Battered women, defeated lovers, devilish characters, highway ghosts, and lonesome wanderers populate her songs. Her voice sounds aged beyond its years, brittle and fragile, almost as if it might shatter into razor-sharp fragments under too much pressure. But underneath everything there’s a steel spine to this music, a thoroughly grounded foundation in American roots music that allows Brent to build her songs to greater heights than you might expect. It’s a masterful album, and heralds the coming of a new sound in the Americana pantheon.
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