Sarah White’s voice can be described as hypnotic at times, with breathy, soothing soliloquies, and deep, seductive stanzas. What’s impressive is her ability to effortlessly transform from singer to emcee, as in the introspective song, C Train.The smoky-eyed chanteuse is a songbird of a different flock with a sound fusing electrodub, crunk sounds, hip-hop, tribal and jazz-soul among other genres and interesting lyrical content. White does something rather odd: she sings in a somewhat haiku, on topics ranging from sexual encounters and unrequited love to rather interesting music.
In this selection, she combines a spitfire flow, with dancehall style chatting and soulful melody, to create her own unique ‘scatois’. Each of Sarah’s songs is a perfectly balanced moment, reflecting the full spectrum of her vocal abilities and bringing a positive focus to the issues of growth, fulfillment, and love. Songs “Big Dance,” “Dance on Mars,” “Freakness” and the EP’s title track are all magical surprises especially for a record only housing nine songs on its playlist.Sarah White has opened for artists such as Jill Scott, J*Davey, K-Os, Camp Lo, Amy Winehouse, Fishbone, and The Roots.She was also featured in 2007’s Black Lily Festival in Philly, and is poised to become the next post-genre fixture, much like fellow Minnesota export Nikki Jean of Philadelphia’s Nouveau Riche. Sarah White has clearly found her calling, and we should all join in her commute to the top.
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