Professor Longhair - Tipitina The Complete 1949-1957 New Orleans Recordings 2008

Henry Roeland Byrd (Professor Longhair, or just Fess, to his fans, admirers, and friends) distilled and synthesized New Orleans R&B piano playing to a fine art, mixing Caribbean rhumba rhythms with stride style and even a hint of Dixieland in his approach, topping it all off with seemingly effortless vocals that made everything he sang feel like a rockin' party was in full swing. Fess first recorded in 1949, and sides like "Big Chief," "Go to the Mardi Gras," and "Tipitina" became Crescent City classics in the 1950s and early '60s, but unfortunately he never saw the kind of commercial success that other New Orleans piano players like Fats Domino were able to achieve. Longhair's influence and presence in New Orleans have always been immense, though, and this two-disc, 46-track set shows why, including all of his early recordings between 1949 and 1957 from the Star Talent, Atlantic, Mercury, Wasco, Federal, and Ebb imprints. AMG.

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Professor Longhair - Crawfish Fiesta 1980

Probably the best of all the many albums Longhair waxed during his comeback. A tremendously tight combo featuring three horns and Dr. John on guitar delightfully back the Professor every step of the way as he recasts Solomon Burke's "Cry to Me" and Fats Domino's "Whole Lotta Loving" in his own indelible image and roars, yodels, and whistles out wonderful remakes of his own oldies "Big Chief" and "Bald Head." AMG.listen here