Mark Hollis - Mark Hollis 1998

The frontman of the influential new wave-era band Talk Talk, singer/songwriter Mark Hollis finally mounted his long-awaited solo career during the late '90s. The younger brother of Ed Hollis, a disc jockey and producer who went on to manage bands such as Eddie & the Hot Rods, Hollis originally planned to become a child psychologist but in 1975 left university to relocate to London, eventually forming a band called the Reaction. In 1977, the Reaction recorded a demo for Island Records; among the tracks was a Hollis original titled "Talk Talk" that later surfaced on the Beggars Banquet punk compilation Streets. After just one single, 1978's "I Can't Resist," the Reaction disbanded, and through his brother, Hollis was first introduced to musicians Paul Webb, Lee Harris, and Simon Brenner, with whom he formed Talk Talk in 1981, soon signing to the EMI label.

With their 1982 debut The Party's Over, Talk Talk emerged as an archetype of new wave ideals, but with each successive record their sound grew more atmospheric and complex, moving further away from conventional pop structure. Records like 1986's The Colour of Spring and 1988's brilliant Spirit of Eden increasingly represented the vision of Hollis and producer Tim Friese-Green, who together steered away from the electronic pop of Talk Talk's early work toward a more organic, often acoustic sound textured by elements of jazz and ambient music. Despite lavish critical praise, relations with EMI disintegrated; personality conflicts within Talk Talk's ranks were growing as well, and after completing 1991's Laughing Stock, the group was essentially finished. Hollis then disappeared from sight for the next seven years; finally, in early 1998, he issued a self-titled solo album, a beautiful continuation of the final Talk Talk records. However, Hollis then retired from music and has not issued any recordings since. Achingly gorgeous and hauntingly stark, Mark Hollis' self-titled debut picks up where he left off with Talk Talk's Laughing Stock seven years earlier, re-emerging at the nexus point where jazz, ambient, and folk music collide. It's quite possibly the most quiet and intimate record ever made, each song cut to the bone for maximum emotional impact and every note carrying enormous meaning. Hollis paints his music in fine, exquisite strokes, with an uncanny mastery of atmosphere that's frequently devastating. And if anything, his singularly resonant voice has grown even more plaintive with the passage of time, which -- combined with the understated artistry and minimalist beauty of tracks like "The Colour of Spring" and "Watershed" -- makes Mark Hollis a truly unique and indelible listening experience. His obvious understanding of the power of silence aside, one prays he doesn't again wait for the seven-year itch to strike before returning. AMG.

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